Ansgar høyskole. Biblioteket

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*008      s2023       a     b   |00| 0 eng c
*010  $a2022033137
*020  $a9780367546328$binnbundet
*020  $a9780367546311$bheftet
*020  $z9781003089926$be-bok
*08200$a781.49
*096  $aMUS 781.49 A
*24500$aAnalyzing recorded music$bcollected perspectives on popular music tracks$cedited by William Moylan, Lori Burns, and Mike Alleyne
*260  $aLondon$bRoutledge$c2023
*300  $axxviii, 415 sider$billustrasjoner
*504  $aHar bibliografiske referanser og indeks
*505  $aForeword / by Paul Théberge -- Introduction. Analyzing and Interpreting Recorded Song Tracks / Lori Burns, Mike Alleyne, and William Moylan -- Section I. Musical Genre, Culture, and Technology. “I Been Studying Rain” : What Do We Hear When We Listen to the Blues of Robert Johnson? (“Preachin' Blues,” 1936) / Tom Attah ; Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve's (2019) “Jailbreak the Tesla” (feat. Aminé) / Steven Gamble and Justin Williams -- Section II. Track Revelations and Aural Mirrors. Hearing through the Grapevine : Marvin Gaye, Norman Whitfield and the Long Journey of Motown's Biggest Hit (1967) / Andrew Flory ; “Let the Music the Play” (1975) : Hearing the Disco Mainstream in Barry White / John Howland ; Reaching for Stardom : Live and Studio Sound in Prince's “Purple Rain” (1984) / Steve Waksman -- Section III. Layers Make the Record. “In a Sky Full of People” : Spatial and Cinematic Staging in Seal's “Crazy” (1990) / Mike Alleyne ; Come Together : Feeling the Distemper of Murk and Elation with the Beatles (and with Sheila E. and Ringo Starr) (1969) / Walter Everett and Katie Kapurch ; “A Tsunami of Voices” : 10cc's “I'm Not in Love” (1975) / Mark Spicer and Stephen Spencer ; Counterpoint and Expression in the Music of U2 : “Gloria” (1981) / Timothy Koozin --
*505  $aSection IV. Sonic Journeys. On the Structure of Feeling in Bob Dylan's “I've Made Up My Mind to Give Myself to You” (2020) / Michael Millner and William Moylan ;  “You Never Give Me Your Money” : The Abbey Road Medley (1969) / Albin Zak ; Listening Beyond the Recording : The Judds' “John Deere Tractor” (1984) / Jocelyn Neal -- Section V. Sampling and Reframing. Sonic Materiality and Boom-Bap Embodiment in Conway's “Biscotti Biscuit :” An Autoethnography of Recording Analysis (2018) ; Michail Exarchos ; “It Ain't But One Kind of Blues” : Kid Koala's Bluesy Embrace of the Fragmented (2012) / Ragnhild Brøvig-Hansen ; “Three and a Half Minutes of Attitude” : Vocal Delivery, Groove, and Production in Azealia Banks' “212” (2014) / Anne Danielsen and Thea Sørli Paulsrud -- Section VI. Deconstructing the Mix and Production Process. Can You Hear the Thunder? The Tech-Processual Construction of Environmental and Emotional Situ in Ghost's “Cirice” (2015) ; Samantha Bennett ; Three-Dimensional Doom : My Dying Bride's “Your Broken Shore” (2020) / Mark Mynett ; Transforming A Pop Song : The Journey of the Extended Club Remix (Taz Vegas' “Am I Dreaming,” 2019) / Phil Harding -- Section VII. Voicing Identity through Genre. Framing the Female Voice in Doom Metal : Compositional and Sonic Elements in The Gathering's “Strange Machines” (Mandylion, 1995) / Lori Burns ; Masking : Queer Aesthetics and Production Tricks in Orville Peck's “Hope to Die” (2019) / Stan Hawkins and Zack Bresler ; “What Are You Gonna Tell Her?” (2020) : Mickey Guyton's Advocacy and Protest for Equality in Country Music / Jada Watson ; Form, Genre, and Vocal Performance in Nicki Minaj's “Stupid Hoe” (2011) / Olivia Lucas ; Tracks and Transformations in The Wailers' “Concrete Jungle” (1973) / Mike Alleyne.
*520  $a"Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of analytic essays on significant popular music tracks from a vast array of genres, featuring contributions from a roster of leading and emerging scholars from around the world. Offering a diverse and unique selection of popular music tracks as case studies, this gathering of thoughtful essays illustrates a range of analytic approaches and perspectives that will be of great benefit to students and scholars in the fields of musicology, record production, popular music studies, and cultural theory. The contributors find unique ways to apply the analytic framework presented by William Moylan in Recording Analysis (Routledge, 2020), in order to illuminate how the record shapes the song. Analyzing Recorded Music is a rich resource for students, researchers and scholars from a range of backgrounds in music and related fields"--
*650  $aPopulærmusikk
*650  $aLydopptak
*650  $aMusikkproduksjon
*7001 $aMoylan, William$ered.
*7001 $aBurns, Lori$ered.
*7001 $aAlleyne, Mike$ered.
*850  $aANSGAR
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